This was a film we did when we were practising with using the camera equipment. Some of these shots we were planning on putting into our films such as the shot of the eye at the beginning where you see the pupil dilate. The shot of walking down the alley way was stabilized and the colour of the shot was changed to make it look creepy and I thought it looked quite good.
Saturday, 30 January 2010
Film Practice
Posted by Emily Bowe at 18:59 0 comments
Labels: Film Practice
Wikapedia
I found this information on wikapedia about opening credits:
In a television programme, motion picture, or videogame, the opening credits are shown at the very beginning and list the most important members of the production. They are now usually shown as text superimposed on a blank screen or static pictures, or sometimes on top of action in the show. There may or may not be accompanying music. Where opening credits are built into a separate sequence of their own, the correct term is title sequence (such as the familiar James Bond and Pink Panther title sequences).
Posted by Emily Bowe at 18:48 0 comments
Labels: Credit Research
Silent Witness
This short clip shows how silent witness on BBC 1 uses lower case letters.
Posted by Emily Bowe at 18:01 0 comments
Labels: Credit examples
Film Draft
This is another draft of our film and we have made the credits bigger and they are on the screen a bit longer. Some credits had to be put in a different place because they didn't fit very well but I think it looks better now. However we now do not know whether to have the credits in lower case or upper case letters because now most films and dramas have their credits in lower case letters. An example of this is Silent Witness.
Posted by Emily Bowe at 17:55 0 comments
Labels: Editing
Tuesday, 26 January 2010
Ripper edit
This is our almost finished film that needs to be shown to an audience to get some feedback and it also needs the music. We thought the credits worked well with genre as they are written in red to represent blood and death. We decided to have the credits show throughout the opening rather than all at the beginning because it looked better. We have changed the speed of some parts to make it flow better and to make it less boring, because before the shots were too long and could be a bit boring to watch. It now needs a bit of a tidy up and we are hoping to screen it to an audience to see what else we can do to improve it and then all it needs is the music.
Posted by Emily Bowe at 18:02 0 comments
Labels: Editing
Sunday, 24 January 2010
Avatar
Posted by Emily Bowe at 12:28 0 comments
Labels: Film Reviews
Thursday, 21 January 2010
Garage Band session
Posted by Emily Bowe at 11:21 0 comments
Labels: Garage Band
Wednesday, 20 January 2010
Credits
Today and last night we decided to do our credits for our film because we have not done them yet. Last night we decided that we would use the colour read to symbolise danger and death. The style writing we have used looks as though it has been handwritten to add to the effect as if 'Jack the Ripper' has written the credits. Today we decided where to put the credits and they are all in significant parts of the film which makes them stand out. Some fade in and out and others just appear. All we have left to do now is the music and to tidy it up a bit.
Posted by Emily Bowe at 17:00 3 comments
Labels: Credits
Thursday, 14 January 2010
Firefly Credits
Firefly opening credits: I think these credits are really effective because the title is Firefly and the credits fade in through what looks like fire which is relevant to the title.
Posted by Emily Bowe at 11:26 0 comments
Labels: Credit examples
The Ripperologists
"The Ripperologists" is a contemporary thriller about two competing experts who are forced to work together to beat the clock when a copycat serial killer begins recreating Jack the Ripper's 1888 murder spree.
"I really enjoyed it. Most entertaining and showed a great insight into 'Ripperworld' - a strange and unique place." Stewart P. Evans (author, "Jack the Ripper: Letters From Hell" and "The Ultimate Jack the Ripper Companion")
Famous mystery novelist Barbara Thomas -- who has once again topped the best-seller lists, this time with a new, nonfiction book she claims reveals, once and for all, the true identity of Jack the Ripper -- is paired with legendary Ripperologist Henry McHugh, a renowned and beloved expert in the field.
Brought together by an eager police detective, the two rivals must put aside their differences long enough to piece together the identity of a killer who has ingeniously recreated Jack the Ripper's first murder -- and looks to be well on his way to re-committing the next four.
With wit and suspense -- and set against the backdrop of the fascinating subculture of Ripperologists -- the story takes equal stabs at the disparate worlds of publishing, Ripper studies, fan conventions, and Internet chatrooms, as our two unlikely heroes employ their (often contrary) knowledge of a 120-year-old phantom to hunt down a modern killer.
Posted by Emily Bowe at 11:03 0 comments
Labels: Genre Research